By Mimi White, James Schwoch
Query of technique in Cultural stories brings jointly a bunch of students from around the social sciences and arts to think about some of the most vexing concerns confronting the proverbial 'anti-discipline' of cultural studies.Covers such themes because the media, feminism, and politics Identifies what equipment have prevailed within the interdisciplinary pursuit of cultural reports Examines the connection among cultural experiences and standard disciplines, the politics of data, and spatial and temporal types Probes the opportunity of approach in particular phrases for students and scholars in media, communications, sociology and allied fields.
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Extra resources for Questions of Method in Cultural Studies
The power of abstraction must replace both” (67–8). In his exegesis of Marx’s method, Hall introduces two metaphors for the viewpoint of the cultural studies researcher: the microscope and, more implicitly, the map. Note that in the quotation above, Marx invokes 29 Anna McCarthy the microscope’s material process of visual scale manipulation in opposition to the mental process of abstraction. Hall’s analysis, however, twists this opposition into an analogy. Marx’s method, he notes, rests not on the simple exercise of abstraction but on the movement and relations which the argument is constantly establishing between different levels of abstraction: at each, the premises in play must be distinguished from those which – for the sake of argument – have to be held constant.
From within the latter group, both Williams’s pronouncement that “culture is ordinary” and Hoggart’s 1957 Uses of Literacy, described by Hartley (1999: 16) as a founding text in a “semiohistory of ordinariness,” helped define the methodological “lowering” of sights from “high” to “ordinary culture” as a political gesture. According to Frank Webster, Hoggart’s microscopic attention to detail and cadence distinguished the Uses of Literacy from sociological studies of working-class life: “you can hear the voices of flesh and blood people and feel their presence, you can be there in a way in which most Sociology sadly misses” (2001: 81, emphasis in original).
Rather, everything is material; it is the designation of certain phenomena as non-material that is the characteristic ideological move of bourgeois philosophy. In an essay on the sociology of culture, Williams similarly criticized the “bourgeois concept of ‘mass communication’ and the tied radical concept of ‘mass manipulation’ ” as “inadequate to the true sociology of these central and varying institutions” (136). Instead of the study of the diffuse psychological phenomenon of media effects, he advocated the study of “the complex sociology of [media] producers, as managers and agents within capitalist systems” (137).
Questions of Method in Cultural Studies by Mimi White, James Schwoch