By Elizabeth Millan-Zaibert
This publication addresses the philosophical reception of early German Romanticism and provides the 1st in-depth research in English of the movement’s most crucial thinker, Friedrich Schlegel, offering his philosophy opposed to the historical past of the controversies that formed its emergence. Elizabeth Millán-Zaibert starts off via distinguishing early German Romanticism from classical German Idealism, less than which it has all too usually been subsumed, after which explores Schlegel’s romantic philosophy (and his rejection of first rules) by way of displaying how he answered to 3 critical figures of the post-Kantian interval in Germany—Jacobi, Reinhold, and Fichte—as good as to Kant himself. She concludes with a complete critique of the classy and epistemological outcomes of Schlegel’s notion, with particular recognition paid to his use of irony.
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This e-book addresses the philosophical reception of early German Romanticism and provides the 1st in-depth research in English of the movement’s most crucial thinker, Friedrich Schlegel, offering his philosophy opposed to the history of the controversies that formed its emergence. Elizabeth Millán-Zaibert starts off by means of distinguishing early German Romanticism from classical German Idealism, lower than which it has all too usually been subsumed, after which explores Schlegel’s romantic philosophy (and his rejection of first rules) via displaying how he spoke back to 3 significant figures of the post-Kantian interval in Germany—Jacobi, Reinhold, and Fichte—as good as to Kant himself.
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Extra resources for Friedrich Schlegel and the Emergence of Romantic Philosophy
In contrast to Zöller, Charles Larmore and Andrew Bowie are both concerned with the early German Romantics in particular. Despite the different focus that they have, both Larmore and Bowie, like Zöller, refer to a departure from classical German idealism in terms of an acknowledgment that the Absolute “eludes” the grasp of reason. Larmore is interested in Hölderlin and Novalis’ critique of Fichte, so he is interested in the early Fichte, the same Fichte that Schlegel critiques. 31 His analysis clears space for a deeper understanding of the epistemically valuable aesthetic insights of the early German Romantics.
It is not my purpose in this book to show that Schlegel’s philosophical project was infallible but rather to show that, right or wrong, Schlegel did have philosophical views. The worth of Schlegel’s philosophy can only begin to be properly assessed after it is excavated from the forbidding surface of a tradition that buried it long ago. This page intentionally left blank. Chapter One Finding Room for the Romantics between Kant and Hegel ማሜምሞ P hilosophers have frequently modeled their work on the mathematical or natural sciences and distanced themselves from anything literary.
Frank’s Romantic Realists versus Beiser’s Romantic Idealists Like Bowie, Larmore, Pinkard, and Zöller, Manfred Frank traces classical German Idealism to its articulation by Hegel that consciousness is a selfsufﬁcient phenomenon, one that is able to make the presuppositions of its existence comprehensible by its own means. 39 Frank offers the following (admittedly ad hoc) deﬁnition of early German Romanticism: The thought of Hölderlin and that of Hardenberg (Novalis) and Schlegel cannot be assimilated to the mainstream of so-called German idealism, although these philosophers developed their thought in close cooperation with the principle ﬁgures of German idealism, Fichte and Schelling (Hegel, a late-comer to free speculation, played at that time only a passive role).
Friedrich Schlegel and the Emergence of Romantic Philosophy by Elizabeth Millan-Zaibert