By Lisa Nakamura
In the nineties, neoliberalism concurrently supplied the context for the Internet’s speedy uptake within the usa and discouraged public conversations approximately racial politics. whilst many students lauded the common use of text-driven interfaces as an answer to the matter of racial intolerance. Today’s on-line global is witnessing text-driven interfaces akin to email and speedy messaging giving option to way more visually in depth and commercially pushed media kinds that not just display yet show off people’s racial, ethnic, and gender id.
Lisa Nakamura, a number one student within the exam of race in electronic media, makes use of case reviews of renowned but not often tested makes use of of the net akin to being pregnant websites, speedy messaging, and on-line petitions and quizzes to examine the emergence of race-, ethnic-, and gender-identified visible cultures.
While well known media akin to Hollywood cinema proceed to depict nonwhite nonmales as passive audiences or shoppers of electronic media instead of as manufacturers, Nakamura argues the contrary—with examples starting from Jennifer Lopez track video clips; motion pictures together with the Matrix trilogy, Gattaca, and Minority Report; and on-line funny story sites—that clients of colour and ladies use the web to vigorously articulate their very own different types of digital neighborhood, avatar our bodies, and racial politics.
Lisa Nakamura is affiliate professor of speech communique and Asian American reports on the collage of Illinois, Urbana-Champaign. She is the writer of Cybertypes: Race, Ethnicity, and identification at the Internet and coeditor, with Beth Kolko and Gilbert Rodman, of Race in Cyberspace.
Read or Download Digitizing race : visual cultures of the Internet PDF
Best media studies books
Rhetoric, the Polis, and the worldwide Village represents present concept at the position of rhetoric in a number of disciplines, and comprises such assorted issues as race, expertise, and faith, demonstrating the increasing relevance of rhetoric in present day global. The essays incorporated during this quantity tackle the query of the polis in historical and smooth instances, progressively converging with the more moderen 30-year span among the last decade of the worldwide Village and brand new rhetorical rehearsals for a political worldwide economic system.
The purpose of this publication is to discover electronic media and intercultural interplay at an arts university in Tanzania, via leading edge different types of ethnographic illustration. The e-book and the sequence site weave jointly visible and aural narratives, interviews and observations, lifestyles tales and video documentaries, paintings performances and productions.
This quantity rethinks the paintings of Jacques Ellul (1912-1994) at the centenary of his delivery, via offering an outline of the present debates in line with Ellul's insights. As the most major twentieth-century thinkers approximately expertise, Ellul used to be one of the first thinkers to achieve the significance of subject matters akin to globalization, terrorism, conversation applied sciences and ecology, and examine them from a technological viewpoint.
- Nollywood Stars: Media and Migration in West Africa and the Diaspora
- Introduction to Cable Technology
- Cinema Beyond Film: Media Epistemology in the Modern Era
- Women Screenwriters: An International Guide
- The Regulation of Sex-Themed Visual Imagery: From Clay Tablets to Tablet Computers
Additional resources for Digitizing race : visual cultures of the Internet
In 1999 we can witness the shift occurring from one mode of inﬂuence, old media to new, to another, new media to old. Like the Matrix ﬁlms, the “If You Had My Love” video visually represents active navigation through data. Clicking on links enables the implied viewer to loop through time: by backtracking, the viewer can instantly restart at the beginning of the video or rewind to watch a favorite bit repeatedly. However, unlike these ﬁlms and other science ﬁction ﬁlms, the video presumes multichanneled viewing in the context of everyday life rather than in an overtly ﬁctional and phantasmatic future.
In this book, I trace how the mediation of digital user and object identity as citizens, women, and commodities on the Internet is regulated and conditioned by the types of interfaces used to classify, frame, and link them. 28 Introduction To argue for the necessary intervention of visual culture studies into Internet studies, one might ask: how does the Internet’s visual culture create, withhold, foreclose, distribute, deny, and modulate the creation of visual and digital capital? Visual media are as often as not viewed through the lens (and logic) of the computer-driven interface, making ways of negotiating, navigating, and situating oneself via its landscape of chapter titles, hyperlinks, and menus a necessary aspect of media use.
AIM buddies also function as a form of resistance to, and protest against, slick commercial and gaming avatars from licensed media franchises that may not be customizable; the case could easily be made for analyzing AIM buddies as folk art, but my focus instead will be on the ways that they function as sophisticated strategies for users to manage identities that may be multifarious and ambiguous. com. This site gives users a quiz that asks them to determine whether photographs represent Korean, Japanese, or Chinese people, and then totes up their score.
Digitizing race : visual cultures of the Internet by Lisa Nakamura