By Melanie Selfe, Ealasaid Munro, Philip Schlesinger
This examine relies at the authors' fieldwork within Cultural firm place of work, a small Scottish enterprise that helps inventive companies. It discusses united kingdom coverage at the artistic economic system, the increase of intermediaries among policy-making and undefined, and the taking part in out within the supply of industrial suggestion companies to artistic microbusinesses.
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Extra resources for Curators of Cultural Enterprise: A Critical Analysis of a Creative Business Intermediary
For a recent review of the British debate that seeks to burnish the concept of ‘cultural ecology’ ‘congruent with cultural value approaches that take into account a wide range of non-monetary values’, see John Holden, The ecology of culture: a report commissioned by the Arts and Humanities Research Council’s Cultural Value project (Swindon: Arts and Humanities Research Council, 2015), 3. 0005 Nation, State and Creative Economy This was a new departure for the Scottish Government, for whom the creative industries have been integral to their National Performance Indicators.
302–303. , 310. , 311. Neil MacCormick, Questioning sovereignty: law, state and nation in the European Commonwealth (Oxford: Oxford University Press, 1999); David McCrone, The sociology of nationalism (London: Routledge, 1998). smith-commission. pdf. At this time of writing, the outcome remains unresolved and politically contentious, with the full legislative process and parliamentary debate to follow the May 2015 General Election. The Scottish Government, Scotland’s future (Edinburgh: The Scottish Government, 2013), 96–123.
7 By contrast, the involvement in Glasgow of the Scottish Arts Council from the outset suggests that the concept of enterprise support had been more readily accepted by official Scottish arts policy thinking between 1995 and 1999. The focus on micro-businesses and sole traders was shared by both the Cardiff and Glasgow Cultural Enterprise projects, although there were small but significant differences in the definition of potential clients, which was largely a consequence of the specificity of the existing Scottish business support landscape.
Curators of Cultural Enterprise: A Critical Analysis of a Creative Business Intermediary by Melanie Selfe, Ealasaid Munro, Philip Schlesinger