By Geoffrey Thurley
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Additional info for Counter-Modernism in Current Critical Theory
The Problem oJ Art-Languages 23 So long as we remember thatform and content are terms belonging to different areas of discourse, and that our critical metalanguage allows us to refer to a work's content as above defined, but not, except by pointing, to its form, we are safe. The fallacy is to regard form and content as differentiable entities causally related within the text, rather than as simply different ways of talking about the same thing, and therefore as indicating separate areas of discourse, the language and the meta-Ianguage.
There have been many riders and qualifications to, and outright dissensions from, such an approach. But the wealth and prestige of those schools acknowledging the primacy of the facts of the text, the words on the page, are so great they still dominate critical procedure. So various have its manifestations become, indeed, that some terminological clarification is necessary before any attempt to survey its results can be made. In the first place, we must refer to the fact of a general movement towards a text-oriented criticism at about the time of the First World War.
The art critic's answer was useless, we can now see, because it was couched, like most critical pronouncements, in terms of both (a)- and (b)characteristics. A genuinely helpful practical answer would need to be framed purely in terms of(a)-characteristics, that is to say, purely descriptive ones. The difference between the two situations now emerges. There is simply no guarantee that pictures containing all the (a)-characteristics the critic can mention will The Ana(ysis of Value-Judgements 49 be good art, or 'art' at all.
Counter-Modernism in Current Critical Theory by Geoffrey Thurley