By Kyriaki Hadjiafxendi, Polina Mackay
This ebook maps the terrain of Anglo-American authorship because it shifts from a theoretical to a extra fabric method of its research in contexts well-known as key to its improvement: the nineteenth-century literary market, twentieth-century experimentalism and postmodern tradition. Gender and (post)colonial concerns round authorial identification and literary paintings are additional explored in terms of publishing rules, photograph media, and the web.
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Additional info for Authorship in Context: From the Theoretical to the Material
In his letter of 3 May 1857 to John Blackwood, he characteristically described the reader of ‘silly novels’ as a wet blanket on a writer’s shoulders (Eliot, 1954–78, vol. 2, p. 325). Despite the ideological limitations of her critique, Eliot tried to address the critical double standard that defined female authors and readers as lesser and inferior than men. She blamed the institution of criticism for encouraging female readers to see themselves as part of a ‘common novel reading class’ public as contrasted to that of ‘the most cultured sort’ (Eliot, 1954–78, vol.
His early tales, in the Gothic tradition, foreground explanation, different registers of which he allows to lie next to one another in his texts. This form of irony has direct and inescapable consequences for a reader, as Jill Rubinstein explains: The tales confront head on the unresolved dilemma of Lockean epistemology: if knowledge is the representation of reality formulated through the senses, how can we be sure of an accurate correspondence between the objective order of things and their subjective representation when human perception is so demonstrably unreliable.
304; see also p. 303). Significantly, Eliot turned her critique of the lack of realism of ‘silly novels by lady novelists’ in her homonymous essay into an attack on the nineteenth-century institution of criticism (Eliot, 1963c, pp. 316, 301). She demanded that reviewers assume responsibility for their incompetence by acknowledging their share of blame in the discrimination against ‘really cultured women’. Eliot argued that literary puffery played an important role in cultivating female readers’ vanity to appear in print to the extent that all of them were potential ‘lady novelists’ (Eliot, 1963c, p.
Authorship in Context: From the Theoretical to the Material by Kyriaki Hadjiafxendi, Polina Mackay