By Harold Bloom (Editor)
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Additional info for Alice Munro (Bloom's Modern Critical Views)
Greene, Gayle. ” Signs 16 (1991): 290–321. Keats, John. ” English Romantic Writers. Ed. David Perkins. New York: Harcourt, 1967. 1186. Munro, Alice. ” With Geoff Hancock. Canadian Fiction Magazine. 43 (1982): 75–114. Friend of My Youth. New York: Knopf, 1990. Lives of Girls and Women. 1971. New York: New American Library, 1983. The Moons of Jupiter. 1982. New York: Penguin, 1984. Rasporich, Beverly J. Dance of the Sexes: Art and Gender in the Fiction of Alice Munro. Edmonton: U of Alberta P, 1990.
12–27, 155–56. © 1993 by the University Press of Mississippi. 41 42 Georgeann Murphy Lake Huron. A. at the University of Western Ontario in 1952 and moved with her husband to British Columbia, where he opened a successful bookstore in Victoria. They had three daughters. Her mother, Ann Laidlaw, died after a long struggle with Parkinson’s disease in 1959. Following her divorce in 1976, Munro remarried and moved back to Ontario, where she now lives. The chronological and geographical settings of Munro’s stories roughly reiterate this life pattern of departure and return.
She describes this as a “fairly important story” but as one that “backs off quite a bit” from what she calls the “real material” (in Struthers, 1983, 23). It also backs off from the figure of the mother, but only in order to stage her powers on another level where we can observe the interaction of those powers with artistic power. The piano recital staged by Miss Marsalles (she calls it a party) dramatizes the two activities I have isolated as central to the dilemma of the artist: watching and keeping.
Alice Munro (Bloom's Modern Critical Views) by Harold Bloom (Editor)